Jeremy Lawrence reflects on a sensory-friendly “Christmas Carol”

I am no expert, but like most people, I have had the opportunity to interact with a remarkable autistic individual. I was the baby-sitter for many years, from childhood to the verge of adolescence, to the son of friends of my parents. In those years, I had the chance to enter his world. I may be wrong in saying this, but autism seems to me simply a different way of perceiving the world. And that is exactly what theatre does. We distort the world for our own purposes, sometimes to make the world seem habitable for the imagination of the play in which we are appearing.
SEEING THE WORLD THROUGH A DIFFERENT LENS
We, as actors, have the exhilaration of entering an imaginary world through our acting techniques. We become characters we never dreamed of being. We get to be in worlds in which our lives will never give us the opportunity to live. We create a universe of a playwright’s imagination and of our own. It is a world of art, which for an artist is a world in which we feel better equipped to live than the far more stressful unscripted world where our performance is determined by factors outside of our control and expectations.
SHARING THE LINK BETWEEN THE ARTS AND AUTISM

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